CineMatch 1.31

Languages: English | File size: 161 MB

Your Color Foundation. Preparing your footage for color grading isn't always easy. In most cases it can be quite time-consuming. CineMatch will help you color-correct your footage accurately, in just a few easy clicks.

Align your Camera Look with CineMatch's Unique Technology
If you shoot with multiple cameras, you can match footage from multiple sources using CineMatch's unique Sensor Matching technology. Our technology combines our knowledge of your cameras sensor data and Color Space Transform to ensure extremely accurate match results.

Color Manage Easy with HDR supported color management
If you are working in Premiere Pro or Final Cut Pro, CineMatch can provide you with HDR supported color management, so your footage can look consistent across different devices and monitors. You can choose the color space you want for your project from Rec.709, Rec.2100 HLG, or Rec.2100 PQ for more control over your project's colors.

Intuitive Color Correction
If your exposure or white balance was off during shooting, you can easily correct it with CineMatch's controls. Our sliders mimic the controls in your camera, meaning you have more control over each part of your image. Easily adjust the white balance, exposure, temperature and tint of your footage, or apply a Rec. 709 transform.

and Simple False Colors
Our False Color views provide a visual guide for adjusting your exposure and white balance. Select between the Middle Grey or Skinstones false colors for any exposure adjustments, or the Temperature and Tint false colors for white balance controls. Those areas of your image will be illuminated, to which you can adjust using CineMatch's controls to get the perfect exposure and white balance for your shot.

Use 3D LUTs on set
If you plan to unify your footage to a particular camera look, use the 3D LUT generator tool for the best exposure and white balance results. You can set your exposure and white balance accordingly with your preferred camera sensor, and export the LUT to use on a monitor on set, rather than struggling with it in post production.

Add Refinements with HSL
Finish the correction with the HUE if needed. Use the source and target color pickers to quickly change hue, saturation or lightness of any color in your footage.

System Requirements
Windows 10 or 11 Premiere Pro CC 2018+ OpenCL 1.1 CUDA 10.1

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